Camila Provenzale, an Italo-Brazilian soprano born in São Paulo and residing in Zurich, has performed with major orchestras and in significant concert halls and opera houses around the world.

Camila was one of the winners of the Neue Stimmen International Singing Competition in Germany and won first prize at the Maria Callas Competition in Brazil. She was also a winner at the Paris Opera Competition at the Théâtre des Champs-Élysées in Paris, awarded at the Giusy Devinu Competition in Cagliari, Italy, and represented Brazil as a finalist at the BBC Cardiff Singer of the World Competition in Wales.

She made her French debut in 2017 as Countess Almaviva (The Marriage of Figaro) at the Toulon Opera, the same year she sang Bachianas Brasileiras No. 5 by Villa-Lobos at the Teatro Real in Madrid. In 2018 and 2019, she was regularly invited to sing with Plácido Domingo in concerts in Ljubljana, Strasbourg, Valencia, Boston, and Aarhus.

Since then, Camila has performed various roles such as Donna Anna (Don Giovanni) at the Théâtre des Champs-Élysées, Paris; Hanna Glawari (The Merry Widow) at the Theatro Municipal de São Paulo; Micaëla (Carmen) with Opera North in Leeds, England; Mariana Alcoforado in the world premiere of the monodrama opera Cartas Portuguesas by João Guilherme Ripper with the São Paulo State Symphony Orchestra (Osesp) at Sala São Paulo; Fiordiligi (Così fan tutte) at the Garsington Opera Festival in London; and Bachianas No. 5 (Villa-Lobos) with the K Ensemble in Dubai for the Cartier Foundation, among others.

Camila is also recognized for her unique musicality in the symphonic repertoire, having sung all the symphonies of Mahler, Carmina Burana, and many works by Beethoven, Mozart, Villa-Lobos, as well as contemporary composers.

In 2022 and 2023, in celebration of the 200th anniversary of Brazil's independence, Camila performed with Villa-Lobos' Amazon Forest Suite projects with prestigious orchestras in various countries, including the Philharmonie de Paris, Zurich Opernhaus, National Orchestra of Spain, Opera National de Bordeaux, and a performance with the Osesp at Carnegie Hall in New York City.

Camila Provenzale (Titinger) as Micaela
Leeds Grand Theatre
Opera North, october 2021

"There are also striking turns from Camila Titinger, who brings real pathos to the part of Micaela—the woman abandoned by José in favour of Carmen."
James Ballands, British Theatre Guide

"…. Micaela - a performance of infinite colour from soprano Camilla Titinger."
Geoffrey Mogridge, Ilkey Gazette

"Her more conventional rival, Micaela – here pregnant with Don José’s child, though his interest in her is minimal – receives an impressively lyrical interpretation from Camila Titinger.
George Hall, The Stage

"Throughout, he sets her upon an earnest mission to deliver sorrowful messages to Don José from his dying mother. She sings her arias most beautifully, with an almost Puccinian rapture, the stamp of unconfined lyricism marking her entire performance."
Tom Tollet, Leeds Living

"...and Camila Titinger’s soft-toned Micaëla has power where it counts."
Erica Leal, The Guardian

"Soprano Camila Titinger played Micaela with considerable force and subtlety, the pathos very apparent whenever she appeared."
Richard Wildocks, Bach Track

"Camila Titinger, the Italian-Brazilian soprano, has a lovely voice and succeeded well in being the spurned and heavily pregnant Micaela."
Richard Trinder, Yorkshire Times

"...Camila Titinger caresses her bump for extra pathos as she sings her main aria so beautifully!"
Eileen Caiger Gray, Mature Times – The voice or our generation