Soprano Tatiana Carlos is acclaimed for her "a beautiful dark timbre" and for "displaying excellent projection and richness of phrasing."

The first Brazilian Soprano to sing the role of Donizetti's Anna Bolena, Tatiana debuted the role at Amazonas Opera Festival in 2023. Next engagements includes Verdi's Requiem at Theatro Municipal of São Paulo and Theatro Amazonas. Past season Tatiana sang Leonora at Amazonas Opera Festival’s Il Trovatore, Moema and Jupyra in the homonymous operas at the Theatro Municipal do Rio de Janeiro.

Tatiana was awarded in numerous important international and national competitions, such as the Laffont Competition of the Metropolitan Opera, the Eleanor McCollum Competition of the Houston Grand Opera, the Premiere Opera Foundation's International Vocal Competition and others. In Brazil she was awarded in competitions such as Maria Callas International Voice Competition, Linus Lerner International Competition, Francisco Mignone Chamber Music Competition, Villa-Lobos Chamber Music Competition.

She made her professional debut in 2016 as Barena in Jenufa at Theatro Municipal of Rio de Janeiro. In 2019, she portrayed Elisabetta in Donizetti’s Maria Stuarda at Amazonas Opera Festival and was a guest artist in Vittorio Grigolo’s Grandes Vozes Concert at Theatro Municipal of Rio de Janeiro.

Tatiana was seen as a Resident Artist at Bidu Sayão Opera Academy of Theatro Municipal of Rio de Janeiro in 2016-17 seasons, where she performed scenes as Roselinde (Die Fledermaus), Leonora (La Forza del Destino) and concerts performing only brazilian songs by Heitor Villa-Lobos and a french concert performing Trois poèmes de Stéphane Mallarmé by Ravel.

She was a participant at the Premiere Opera Vocal Arts Institute in 2020-2021, working with Bruno Nicoli (Teatro alla Scala), Beatrice Benzi (Teatro alla Scala), Luisella Germano (Wiener Staatsoper), José Maria Codemi (San Francisco Opera) and the renowned singers Carol Vannes, Barbara Frittoli, Jane Eaglen and Cheryl Studer.

In 2017, she was one of the singers selected to take part of the masterclasses given by the Jette Parker Young Artist Program of Royal Opera House in Brazil, working with David Gowland. In the Summer of 2015, Tatiana participated in Dolora Zajick’s Institute for Young Dramatic Voices.

“ Owner of a dark timbre, enormous volume, constantly boiling, the soprano ended up being buried with applause.”
Márvio dos Anjos - O Globo

"The soprano Tatiana Carlos, for her part, was a good Elisabetta, austere and willful, intense voice and great volume…”
Sabino Lenoci - L’Opera Magazine, Italy

"...She was born a dramatic soprano. The young woman is one of the most promising artists of today. She opened the concert with Pace, mio Dio!, from the opera Forza del destino by Verdi, winning over the audience with her first note. She reached the peak with a high B flat perfectly produced in piano on the phrase "invan la pace". She has the voice to step on any operatic stage in the world. The ultimate technique, never pushed. A voice of great volume, that fills the hall effortlessly. The tone is beautiful, dark, ample, full bodied and round. It is a voice that needs a big space to be fully appreciated. One needs to hear her in a big theater. A real rarity!"
Marcos Menescal
movimento.com, Brazil

"...She displayed a lyric-dramatic register surprising for her age, when she braved the aria Pace, pace, mio Dio, from the opera Forza del Destino. Possessing a beautiful dark timbre, and showing that she is going in a safe and correct technical direction, the artist wowed the audience, displaying in addition excellent projection and richness of phrasing."
Leonardo Marques
movimento.com, Brazil