Ramon Theobald made his debut as a conductor in the “Looking for Bernstein” workshop by director Victoria Sitjà, at the Amphithéâtre Olivier Messiaen (Opéra Bastille) in Paris. He was assistant musical director to conductor Vincent Dumestre in “Incoronazione di Poppea” (C. Monteverdi), and conductor Elizabeth Askren in “La Scala di Seta” (G. Rossini). With the Orquestra de Pau Pays de Béarn, he was Fayçal Karoui's assistant at the presentation concert of the orchestra's new concert hall. 

As an opera pianist, he was a member of the Académie de l’Opéra de Paris (2021-2023) and the Fabbrica Young Artists Program of the Teatro dell’Opera di Roma (2020-2021). During this period, he performed in the production of "Rigoletto" at the Paris Opera and signed the musical supervision of “Inconfessabile Verdi” during the Verdi OFF Festival at the Teatro Regio di Parma by director Giulia Randazzo.

Ramon received a scholarship from the “Georg Solti” in 2019, which took him to Venice to take classes with Jonathan Papp, Anthony Legge, Rodrigo de Vera, and maestro Richard Bonynge.

He holds a BA in Piano from the School of Music of the Federal University of Rio de Janeiro (UFRJ), where he studied under Prof. Luiz Senise. This includes a two semester exchange to the Hochschule für Musik Karlsruhe, Germany, under the tutelage of Prof. Dr. Michael Uhde. This was made possible through a scholarship granted by
CAPES and DAAD. 

Ramon has played in a multitude of masterclasses alongside international names such as Diana Damrau, Jessica Pratt, Lawrence Brownlee, Vittorio Grigolo, Michael Fabiano, Yusif Eyvazov, Lisette Oropesa, Saimir Pirgu, and Alex Esposito.

Ramon Theobald currently studies orchestral conducting at the Iannis-Xenakis Conservatory with Nicolas Brochot.

"One name stands out clearly at the end of this concert, that of Ramon Theobald. A pianist attentive to his singers, concerned with nuances in the accompaniment, the young Brazilian also conducts the end of La Finta. It is impressive to hear how the singers sound more relaxed and more expressive under his guidance. A rare talent that sacrifices nothing to the theatre consubstantial with this repertoire."
Altamusica.com
21 SEPTEMBER 2022

"Ramon Theobald on the piano, with his delicate and smooth touch, masterfully accompanies the voice, accompanying all variations of intensity and character, in strong harmony with his artistic partner. In the two solo interludes that allow the singer to leave the stage for a few moments, the piano notes weave a pleasant musical continuity with a sound that is both intimate and moving."
Cecilia Franco - Olyrix
03 JULY 2022

"The piano held by Ramon Theobald also articulates, as if the instrument were speaking: each arpeggiated note is a syllable forming a phrasing, each chord is clear as a word. The instrument thus in dialogue with the voice, in this construction but also literally (as when the score makes it play the songs of the birds evoked by the poem)."
Olyrix
10 OCTOBER 2021