Anibal Mancini, tenor

Anibal Mancini
tenor

"And, finally, him, the tenor himself. After all, what is the voice of Anibal Mancini? Rossinian to the core, this voice ran marvelously throughout the entire duration of the opera, with astonishing technical mastery, impeccable agility, and a beautiful timbre. The Count Almaviva's cavatina, 'Ecco, ridente in cielo,' and the previously mentioned song, accompanied on the guitar by the baritone, were performed with extreme precision and unparalleled expressiveness."
Il Barbiere di Siviglia
Theatro Municipal Rio de Janeiro, 2022
Fabiana Crepaldi, notasmusicais.com

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BIO

Aníbal Mancini is a lyrical tenor leggero, known for the agility of his coloraturas, the beauty of his timbre, rich phrasing, and precise interpretations.

He recently performed at Teatro Comunale di Bologna as Don Ramir in the opera La Cenerentola, at Teatro Civico de Castello in Cagliari as Narciso in the opera L'Ape Musicale, at the Municipal Theater of São Paulo as Ferrando in the opera "Così fan tutte," at the Solís Theater in Montevideo as Almaviva in the opera "The Barber of Seville," at the Amazonas Opera Festival as Acis in the opera "Acis and Galatea," at the Municipal Theater of Rio de Janeiro and the Teatro São Pedro in the opera "Don Quichotte" by Massenet (Rodriguez). Other performances include Handel's "Messiah" at the Municipal Theater of Rio de Janeiro and at the Palácio das Artes in Belo Horizonte, Rossini's gala concert, Prokofiev's "The Betrothal in the Monastery" (Antonio), Verdi's "Falstaff" (Fenton), Rossini's "La Donna Del Lago" (Uberto), Rossini's "The Barber of Seville" (Count Almaviva), G. Puccini's "Gianni Schicchi" (Rinuccio).

He also sang the opera "The Boy and the Freedom" (Rapaz) by Ronaldo Miranda, brought to life the role of Hippolytus in the world premiere of the opera "Phaedra and Hippolytus" by Christopher Park at the Palácio das Artes in Belo Horizonte, participated in the concert opera "L’oro non compra amore" by Marcos Portugal, and performed Rossini arias in the "Night of Bel Canto" concert with the OSB Opera and Repertoire at the Municipal Theater of Rio de Janeiro.

His repertoire also includes Purcell's "Dido and Aeneas," S. Barber's "A Hand of Bridge," "Christmas Matins" by Father José Maurício, Cantatas by J.S. Bach, "Il Tabarro" (Tinca), Rameau's "Pygmalion," and more.

Aníbal was one of the winners of the 11th Maria Callas Competition in 2011, and in 2013, he was named Lyric Revelation by the Blog Opera and Ballet .

português

Anibal Mancini é um tenor lírico leggero, conhecido pela agilidade de suas coloraturas, beleza de timbre, rico fraseado e interpretações precisas.

Recentemente apresentou-se no Teatro Comunale de Bologna como Don Ramir na ópera La Cenerentola, no Teatro Cívico de Castello em Cagliari como Narciso na ópera L'Ape Musicale, no Theatro Municipal de São Paulo como Ferrando na ópera Così fan Tutte, no Teatro Solís de Montevideo como Almaviva na ópera O Barbeiro de Sevilha, no Festival Amazonas de Ópera como Acis, na ópera Acis and Galatea, no Theatro Municipal do Rio de Janeiro e no Theatro São Pedro com a ópera Don Quichotte de Massenet (Rodriguez). Outras participações incluem O Messias de Handel no Theatro Municipal do Rio de Janeiro e no Palácio das Artes de Belo Horizonte, concerto de gala Rossini, As Bodas no Monastério de Prokofiev (Antonio), Falstaff (Fenton) de G. Verdi, La Donna Del Lago de Rossini (Uberto), O Barbeiro de Sevilha (Conde Almaviva) de Rossini, Gianni Schicchi (Rinuccio) de G. Puccini.

Também cantou a ópera O Menino e a Liberdade" (Rapaz) de Ronaldo Miranda, deu vida a Hipólito na estreia mundial da ópera Fedra e Hipólito de Christopher Park no Palácio das Artes, em Belo Horizonte, partcipou da ópera em concerto L’oro non compra amore, de Marcos Portugal e interpretou árias de Rossini no concerto Noite de Bel Canto com a OSB Ópera e Repertório no Theatro Municipal do Rio deJaneiro.

Seu repertório abrange ainda Dido e Enés de Purcell, A Hand of Bridge de S. Barber, Matinas de Natal de Pe. José Maurício, Cantatas de J. S. Bach, Il Tabarro (Tinca), Pygmalion de Rameau etc.

Aníbal foi um dos vencedores do 11º Concurso Maria Callas em 2011 e em 2013 foi nomeado Revelação Lírica pelo Blog Ópera e Ballet.
español

Aníbal Mancini es un tenor lírico leggero, conocido por la agilidad de sus coloraturas, la belleza de su timbre, una rica entonación y precisas interpretaciones.

Recientemente se presentó en el Teatro Comunale de Bologna como Don Ramir en la ópera La Cenerentola, en el Teatro Civico de Castello en Cagliari como Narciso en la ópera L'Ape Musicale, en el Theatro Municipal de São Paulo como Ferrando en la ópera "Così fan tutte", en el Teatro Solís de Montevideo como Almaviva en la ópera "El Barbero de Sevilla", en el Festival Amazonas de Ópera como Acis en la ópera "Acis and Galatea", en el Theatro Municipal do Rio de Janeiro y en el Theatro São Pedro con la ópera "Don Quichotte" de Massenet (Rodriguez). Otras participaciones incluyen "El Mesías" de Handel en el Theatro Municipal do Rio de Janeiro y en el Palácio das Artes de Belo Horizonte, el concierto de gala Rossini, "Las Bodas en el Monasterio" de Prokofiev (Antonio), "Falstaff" (Fenton) de G. Verdi, "La Donna Del Lago" de Rossini (Uberto), "El Barbero de Sevilla" (Conde Almaviva) de Rossini, "Gianni Schicchi" (Rinuccio) de G. Puccini.

También interpretó la ópera "El Niño y la Libertad" (Rapaz) de Ronaldo Miranda, dio vida a Hipólito en el estreno mundial de la ópera "Fedra e Hipólito" de Christopher Park en el Palácio das Artes de Belo Horizonte, participó en la ópera en concierto "L’oro non compra amore" de Marcos Portugal e interpretó arias de Rossini en el concierto "Noite de Bel Canto" con la OSB Ópera e Repertório en el Theatro Municipal do Rio de Janeiro.

Su repertorio abarca también "Dido y Eneas" de Purcell, "A Hand of Bridge" de S. Barber, "Matinas de Natal" de Pe. José Maurício, Cantatas de J. S. Bach, "Il Tabarro" (Tinca), "Pigmalión" de Rameau, etc.

Aníbal fue uno de los ganadores del 11º Concurso Maria Callas en 2011 y en 2013 fue nombrado Revelación Lírica por el Blog Ópera e Ballet.

reviews

Almaviva (The Barber of Seville)
"And finally, him, the tenor himself. After all, what is the voice of Anibal Mancini? Rossinian to the core, this voice ran marvelously throughout the entire opera, with astonishing technical mastery, impeccable agility, and a beautiful timbre. The Count Almaviva's cavatina, 'Ecco, ridente in cielo,' and the aforementioned song, accompanied on the guitar by the baritone, were performed with extreme precision and unmatched expressiveness."
The Barber of Seville
Theatro Municipal do Rio de Janeiro, 2022
Fabiana Crepaldi, movimento.com

Fenton (Falstaff)
"He had already interpreted the same role in 2013, and his vocal qualities then foreshadowed the evolution heard yesterday: an artist reaching the highest poetry thanks to his poetic musicality, the beauty of his timbre, and the fluidity of the melodic line. He also possesses the conditions for a promising international career."
Falstaff (Fenton), Teatro São Paulo, SP
concerto.com.br, 2014

The Boy and the Freedom
"...the young man excelled in the high notes and displayed a lyric tenor timbre of great grace."
The Boy and Freedom (Boy)
Teatro São Pedro
portal luis nassif, 2014

The Marriage of Figaro (D. Antonio)
"...tenor Anibal Mancini portrayed Don Antonio with excellence, and his serenade in the first act was one of the highlights of the evening when the artist could showcase the beauty of his timbre, the precision of his tuning, and the richness of his phrasing."
The Marriage of Figaro (Don Antonio)
movimento.com

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